
A Stasi Comedy
2022

Representation Score
Good
2020
Director
Micha Lewinsky
Runtime
99 minutes
Average Rating
No ratings yetNew Showbiz Analysis
One-way to Moscow is a sophisticated critique of institutional power that prioritizes individual ability to act over state control. It deconstructs the authority of the police through the lens of a historical surveillance scandal. While the film's intellectual framework is progressive, it remains tied to the demographic traditions of its period. The narrative focuses on a specific Swiss social strata, which limits its broader racial and ethnic scope. Ultimately, the film's strength lies in its thematic depth rather than demographic variety. It uses a personal romantic arc to highlight the tension between state surveillance and individual expression.
Category Breakdown
The film centers on a relationship between Viktor and Odile, which follows traditional heterosexual norms. There are no explicit depictions of same-sex relationships or intimacy.
Odile plays a significant role in driving the story, challenging the male-dominated police hierarchy. She disrupts traditional gender roles by acting as a subversive artist.
The film reflects the demographic homogeneity of its time and the specific social strata of Zurich. It does not prioritize multi-ethnic casting as a central element of the plot.
The movie offers a strong critique of state power and institutional corruption. It emphasizes the subjective morality of artists over the legalistic morality of the surveillance apparatus.
There are no visible or invisible disabilities that play a central role in the character arcs or the plot progression.
Present on Screen
Limited or Absent
Official Synopsis
30 years ago, Switzerland was shaken by a scandal that seems to have already been forgotten: more than 900,000 people were surveilled because of their political convictions. Against the backdrop of this "secret files scandal," Micha Lewinsky sets his film. Conscientious policeman Viktor Schuler is tasked by his superior to infiltrate the Schauspielhaus, a renowned Zurich theatre, in order to keep an eye on its leftist scene. However, Viktor finds himself quite taken with the artist's life and falls in love with the subversive actress Odile Lehmann.

2022

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