The film lacks non-cisnormative identities or narratives that critique heteronormativity. It follows a traditionalist approach to morality and gender roles common to 1970s religious horror.

The story centers on a male protagonist exercising authority over a female-dominated space. While students are the subjects of the conflict, agency is vested in a male figure, reinforcing patriarchal hierarchies.

There is no indication of a diverse or non-Anglo-Saxon majority cast. The production appears to adhere to the homogeneous casting standards of the era, centering on a Western-centric conflict.

The narrative is rooted in singular Christian morality, positioning religious authority as the primary defense against evil. It reinforces traditional Western institutions rather than critiquing them.

The film provides no evidence of characters with physical or neurodivergent disabilities. There is no information regarding their presence or portrayal within the narrative.