The narrative remains strictly within heteronormative structures. It lacks significant queer narratives or non-cisnormative identities that challenge the social order.

The film offers a cynical view of gender, portraying the central figure's life as a series of exploitative entanglements. It subverts masculine authority by depicting the leader as morally vacuous.

The cast reflects a homogeneous demographic consistent with the Italian political elite. It lacks diverse ethnic perspectives, focusing instead on the insular Roman establishment.

The film excels at critiquing Western institutions like religion and family. It frames these structures as sites of decadence and corruption rather than pillars of virtue.

There is no evidence of characters with disabilities being portrayed with agency. The hyper-aestheticized world of the elite leaves no room for such perspectives.