
A Very Bad Friend
2019

Representation Score
Minimal
1992
Director
Vladimir Shamshurin
Runtime
79 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Oysters from Lausanne is a period-specific social comedy that centers on the individualistic struggles of a male entrepreneur. The narrative prioritizes personal ability to act and professional survival within the shifting economic landscape of the early 1990s. The film follows conventional storytelling formulas of its time, focusing on the protagonist's reintegration into society after incarceration. It does not challenge systemic power dynamics or promote diverse demographic representation. Ultimately, the work serves as a reflection of post-Soviet social realities rather than a vehicle for progressive narrative architecture.
Category Breakdown
The film does not include any characters with non-binary gender identities or visible LGBTQ+ storylines.
The story centers around a male protagonist who navigates patriarchal business structures. The narrative emphasizes his role in driving the plot and overcoming professional challenges.
The cast is homogeneous, reflecting the geopolitical context of the film. There is no evidence of ethnic diversity or non-white majority casting.
The story examines the tension between individual success and changing social hierarchies. It reflects the era's focus on emerging social classes and business corruption.
The film does not feature any characters with physical, sensory, or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Roman Lebedichkin, a founder of a big and successful company, is surprised to found out that he's not so welcomed by previous partners after he gets released from jail.

2019

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