
The Whole Ten Yards
2004

Representation Score
Minimal
2000
RDirector
Jonathan Lynn
Runtime
98 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This film is a conventional studio comedy that sticks to well-established social and narrative norms. It relies on traditional crime genre clichés rather than identity-based storytelling to advance its plot. Since the narrative centers on male-driven capers and homogeneous casting, it fails to challenge existing social hierarchies. The production lacks depth in reflecting multiple aspects of identity, presenting a narrow view through standard Hollywood archetypes. Overall, the film serves as a typical situational comedy that avoids any significant engagement with progressive representation or social critique.
Category Breakdown
The film does not include any characters with non-straight or non-cisgender identities. The character interactions stay within a framework that assumes everyone is straight or cisgender.
The story is primarily driven by male characters. Female characters play supporting roles and do not have enough influence to challenge the patriarchal structure.
The cast is predominantly white. Although there are minor characters of color, they do not serve as central figures in the story.
The narrative follows a traditional Western perspective centered around individual criminal activities. It does not address issues related to capitalism or Western institutions.
There is no representation of physical, sensory, or neurodivergent disabilities. Characters are portrayed through typical able-bodied comedic types.
Present on Screen
Limited or Absent
Official Synopsis
After a mobster agrees to cooperate with an FBI investigation in order to stay out of prison, he's relocated by the authorities to a life of suburban anonymity as part of a witness protection program. It's not long before a couple of his new neighbours figure out his true identity and come knocking to see if he'd be up for one more hit—suburban style.

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