The film lacks LGBTQ+ characters or non-cisnormative identities. It adheres to traditional narrative structures without exploring queer identities.

The story centers on a male protagonist, Martin Revell. There is no evidence of female characters possessing significant agency or subverting gender hierarchies.

The narrative does not indicate a diverse or non-Anglo-Saxon majority cast. It focuses on a localized, character-driven plot without diverse casting.

The film follows standard psychological thriller tropes. It lacks critiques of Western or secularist institutions, focusing instead on individual psychological struggles.

While the plot involves insanity, it lacks nuanced neurodivergent representation. Mental instability appears to serve genre requirements rather than providing agency.