The film lacks explicit evidence of non-heteronormative identities or queer narrative agency. It appears to follow a baseline level of inclusion typical of standard European ensemble comedies.

Prominent female leads like Iris Berben suggest a focus on female perspectives. However, the characters seem to lean toward conventional archetypes rather than subverting traditional gender hierarchies.

The inclusion of Elena Sancho Pereg provides some ethnic variety within the ensemble. The narrative does not indicate a non-white majority or a disruption of Eurocentric casting norms.

The story focuses on traditional domesticity and interpersonal morality within established family units. There is no evidence of a secularist or anti-Western agenda in the narrative.

There is no documented evidence regarding the inclusion of characters with physical or neurodivergent disabilities in the cast or synopsis.