
Massive Attack: Eleven Promos
2001

Representation Score
Good
1998
Director
Jonathan Glazer, Jamie Thraves, Magnus Carlsson, Paul Cunningham, Grant Gee, Jake Scott
Runtime
34 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This collection of Radiohead music videos serves as an avant-garde art project rather than a platform for social representation. The directors use surrealism to break away from commercial norms, creating a unique artistic style. However, the work stays within a narrow demographic focus. Without a cohesive storyline, the videos don’t develop characters with overlapping identities, keeping the focus on abstract ideas instead of diverse human experiences. Overall, the collection is culturally critical and artistically innovative, but it doesn't offer meaningful representation for underrepresented groups, reflecting the specific cultural context of late 1990s Britain.
Category Breakdown
The collection doesn't include explicit LGBTQ+ stories, but the fashion hints at non-conformity. There are no intentional queer character arcs or challenges to the idea that everyone is straight.
The videos play with gender roles through surreal and abstract visuals, avoiding typical gender power dynamics but not focusing on women's control over the story.
The casting leans towards a Western, Anglo-centric look, matching the UK alternative scene of the late 1990s without featuring diverse ethnic groups.
The works explore feelings of isolation and technology's impact using fragmented, personal experiences rather than traditional morals or societal norms.
There's no clear representation of disabilities. The visuals focus on abstract thoughts and existential fears rather than the daily lives of disabled individuals.
Present on Screen
Limited or Absent
Official Synopsis
7 Television Commercials is a collection of music videos from English alternative rock band Radiohead, covering the period from their The Bends (1995) and OK Computer (1997).

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