
A Bread Factory, Part One: For the Sake of Gold
2018

Representation Score
Good
2017
Director
Sam Voutas
Runtime
88 minutes
Average Rating
No ratings yetNew Showbiz Analysis
King of Peking offers a culturally specific view of 1990s Beijing through its exploration of the pirate movie industry. By focusing on a domestic Chinese narrative, the film moves away from Western-dominated storytelling models. However, the film’s scope seems limited to male-driven dynamics and traditional patriarchal structures. While the setting adds cultural value, the film lacks representation of diverse gender identities or disability inclusion.
Category Breakdown
The story focuses on a father-son relationship in the 1990s Beijing film market. It does not include any explicit LGBTQ+ identities or critiques of the assumption that everyone is straight or cisgender.
The plot is driven by male characters, particularly a former projectionist and his son. The film does not show female characters with significant roles or influence.
Set in Beijing, the film features a Chinese cast and cultural context. This provides a non-Western perspective that challenges traditional Anglo-centric storytelling.
The film examines the 'pirate movie' industry and informal capitalism. This focus may suggest a critique of formal economic systems and official institutions.
There is no information available about the inclusion of characters with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
When home entertainment enters the market in 90s Beijing, a former projectionist ropes his young son into starting their own pirate movie company, but easy money comes with its own price tag.

2018

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