
Jackassworld.com: 24 Hour Takeover
2008

Representation Score
Minimal
2026
RDirector
Jeff Tremaine
Runtime
92 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Jackass: Best and Last is a male-only reunion built around physical comedy and pranks. Its cultural edge comes from mocking authority and safety norms, which offers a subversive tone but does not translate into inclusive representation. The film lacks LGBTQ+ characters, women, and people with disabilities entirely. Racial diversity is minimal, with only one cast member of color in the core group. These gaps keep the overall diversity score low. The chaotic, anti-authority spirit aligns with progressive disruption of norms, yet the absence of gender and racial variety limits its representational impact.
Category Breakdown
No LGBTQ+ characters or same-sex relationships appear in the film. The narrative follows the original crew performing stunts as themselves, with no queer identities or storylines represented.
The cast is exclusively male, with women absent from the main stunt crew and narrative. The story centers entirely on men, offering no female or non-binary presence in key roles.
The group is mostly white, with Jason 'Wee Man' Acuña as the only cast member of color listed. No other racial diversity is noted within the core team.
The film mocks traditional norms through slapstick and pranks, treating authority and safety rules as obstacles. Western institutions are framed as targets for ridicule, creating a subversive cultural tone.
No characters with disabilities are mentioned in the film. The stunts rely on physical risk but do not feature actors with visible or invisible disabilities.
Present on Screen
Limited or Absent
Official Synopsis
The fifth and final installment to Jackass franchise where the crew go on one last insane crusade.

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