The film lacks explicit evidence of non-cisnormative identities. The focus on salacious students suggests a reliance on conventional social dynamics and traditional horror archetypes.

The narrative centers on a group of students without subverting traditional gender hierarchies. There is no indication of women exercising agency to disrupt masculine leadership roles.

The luxury yacht setting suggests a potentially homogeneous, high-wealth demographic. The lack of mention regarding diverse casting points toward conventional, non-diverse social groupings.

The story operates within a standard Western capitalist framework. It lacks any evidence of anti-capitalist sentiment or the deconstruction of Western institutions.

There is no information suggesting the inclusion of characters with visible or invisible disabilities. Neurodivergent representation is also absent from the narrative.