You are here:

The Young Girl and the Clouds

Name: The Young Girl and the Clouds
Director: Georges Schwizgebel
Released: 2001
Duration: 5 min

Representation Score

4.2/10

Fair

2001

Director

Georges Schwizgebel

Runtime

5 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film serves as a modernist deconstruction of the Cinderella archetype. By replacing a traditional fairy-tale setting with contemporary aviation, it challenges historical genre expectations and narrative structures. While the work excels at subverting gendered clichés through protagonist empowerment, it lacks demographic specificity in other categories due to its abstract animation style. The diversity lies in its structural approach, which favors subjective experience and avant-garde expression over conventional storytelling.

Watch this, not that →

Category Breakdown

Does The Young Girl and the Clouds have LGBTQ+ representation?

Fair

The film includes a character traditionally known as Prince Charming, but the experimental style leaves romantic dynamics open to interpretation. There is no clear depiction of non-straight relationships.

How does The Young Girl and the Clouds portray gender?

Good

The protagonist subverts the passive damsel cliché by taking control through her dreams. Her decision to flee via airplane replaces traditional passivity with modern action.

How racially and ethnically diverse is The Young Girl and the Clouds?

Minimal

The abstract and experimental nature of the animation provides no information about the racial or ethnic background of the characters.

How does The Young Girl and the Clouds represent religion and culture?

Good

The work deconstructs Western folklore by removing traditional moralizing elements from Cinderella. It emphasizes postmodern themes of escapism and aesthetic freedom.

Does The Young Girl and the Clouds include disability representation?

Minimal

There is no evidence of characters with physical or neurodivergent disabilities within the narrative.

Present on Screen

Subverts the passive damsel cliché by empowering the protagonist
Challenges traditional fairy-tale morality through a deconstructive lens
Disrupts predictable pacing with experimental animation and live piano

Limited or Absent

Lacks clear representation of diverse racial or ethnic identities
Provides no clear evidence of LGBTQ+ or non-straight dynamics
Offers no visible portrayal of characters with physical or neurodivergent disabilities

Official Synopsis

The story of Cinderella is modernised. Cinderella dreams of clouds and ends up fleeing by plane with her Prince Charming. The image is animated simultaneously at various speeds (decor, moving elements, characters) in connection with the sound tape played by Georges Schwizgebel on the piano. It is an intelligent variation on a well-known story with which the viewer can identify

How are these scores produced? →