
El espejo de los otros
2015

Representation Score
Good
2021
Director
Toni Agustí, María Sánchez Torregrosa
Runtime
80 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Last Supper serves as a formalist experiment in real-time storytelling, emphasizing the mechanics of a single-day shoot over explicit identity-based narratives. While the experimental structure challenges traditional cinematic hierarchies, the film does not provide clear evidence of intentional characters who reflect more than one aspect of diversity or the active subversion of systemic social structures. Ultimately, the work focuses on human interaction and ritual rather than social advocacy or diverse character-driven exploration.
Category Breakdown
The film does not include any explicit LGBTQ+ characters or narratives. The real-time setting allows for various interpersonal dynamics, but there is no indication of non-straight or non-cisgender identities.
The story focuses on a social ritual involving technicians and actors. It is unclear whether the film challenges traditional gender roles or follows conventional social hierarchies.
As a Spanish production, the film operates within a localized cultural context. There is no specific information about the racial makeup of the cast.
The title references a strong religious symbol. The experimental format suggests a potential for deconstructing traditional religious symbolism through a secular or postmodern perspective.
The film does not include characters with visible or invisible disabilities. The focus remains on the mechanics of performance and real-time execution.
Present on Screen
Limited or Absent
Official Synopsis
The Last Supper is a cinematographic experiment carried out in a single day by a group of technicians and actors who come together to shoot a dinner with friends in real time.

2015

2010

2021

1973

2015

2009

2017
2006
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.