
Time and Tide
2000

Representation Score
Minimal
1992
TV-PGDirector
David Rimmer
Runtime
33 minutes
Average Rating
No ratings yetNew Showbiz Analysis
David Rimmer’s *Local Knowledge* is a contemplative, non-narrative essay film that prioritizes environmental phenomena over social or identity politics. By focusing on the tide, swell, and the troubled landscape of Storm Bay, the film avoids traditional character-driven plots. Due to its lack of a standard narrative structure, the film provides almost no platform for demographic representation. Its preoccupation with temporal meditation and maritime terminology leaves little room for exploring diverse human experiences. Ultimately, the film serves as a specialized, observational study of geography and time. It functions as a cinematic meditation on nature's instability rather than a vehicle for social narratives.
Category Breakdown
The film does not include any LGBTQ+ characters or non-assuming gender matches what was assigned at birth identities. Instead, it focuses on maritime navigation and the passage of time.
There are no gendered character arcs or subversions of gender hierarchies. The film concentrates on environmental phenomena and the physical movement of the camera.
The narrative centers on the natural elements of Storm Bay. There is no evidence of racial diversity or characters of color.
The film explores the instability of place and the limits of human mastery over nature. It presents a somber, existentialist view of the environment.
There is no mention of characters with visible or invisible disabilities. The work prioritizes atmospheric texture over human-centric social narratives.
Present on Screen
Limited or Absent
Official Synopsis
"David Rimmer's film is at once a somber and celebratory meditation on time and place. Its title, 'Local Knowledge', is marine terminology for what a skipper must know when navigating dangerous waters. Rimmer is an experienced sailor and the film's spiritual and geographical center is aptly named Storm Bay, where he spends his summers. But it's a troubled site. The camera, moving with tide and swell, seems to strain anxiously at its anchor and it becomes clear from here on in nothing will ever be at rest. Local Knowledge won't save anyone anymore. Preserved by the Academy Film Archive in 2015.

2000

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