The Row
2018
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Diversity score: 3.6 out of 10
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The 13th Friday
2017
Director
Tristan Price
Runtime
95 minutes
Average Rating
No ratings yetSynopsis
Thrill seeking friends return to the place of the most terrifying killer.
Where to Watch
Diversity & Representation
Overall Score
3.1/10
Limited
Category Breakdown
LGBTQ+ Representation
The film offers no evidence of queer themes or non-cisnormative identities. There are no characters or narratives engaging with LGBTQ+ perspectives.
Gender Representation
A significant female presence in the top-billed cast suggests a female-centric ensemble. However, it is unclear if these characters possess agency or subvert traditional gender hierarchies.
Racial & Ethnic Diversity
The ensemble includes a multicultural cast, featuring performers like Khu and David E. Cazares. This moves the film away from the homogeneous casting typical of legacy horror.
Religious & Cultural Diversity
The story follows standard horror tropes regarding historical trauma and past violence. There is no explicit evidence of specific secularist or anti-institutional frameworks.
Disability Representation
The narrative contains no mention of characters navigating physical, sensory, or neurodivergent experiences.
Strengths
- The cast features a significant number of female performers, suggesting a female-centric ensemble.
- A multicultural cast helps move the film away from the homogeneous casting found in legacy horror.
Areas for Improvement
- The film lacks representation for LGBTQ+ identities and neurodivergent or disabled characters.
- The narrative stays within traditional genre boundaries without subverting systemic power dynamics.
AI Analysis
The film utilizes a diverse ensemble to populate its group of thrill-seeking friends, breaking away from the monolithic casting often seen in older horror franchises. The cast includes a strong female presence and a multicultural lineup that provides a foundation for intersectional storytelling. Despite this varied casting, the film appears to operate within the safe boundaries of conventional genre tropes. There is little evidence of deep narrative subversion or the intentional deconstruction of systemic power dynamics. Ultimately, while the production succeeds in diversifying the faces on screen, it lacks the thematic depth to move beyond standard slasher expectations.
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