
Extreme Dating
2004

2014
TV-MADirector
Alexander Berman
Runtime
23 minutes
Average Rating
No ratings yetSynopsis
Love is dumb. Now there's an app for that. A shy engineer desperately needs venture capital for his virtual wing woman app. Can he and his app seduce a heartbroken girl at a swanky LA bar to prove it works?.. A modern-day take on Cyrano de Bergerac, APP follows Paul as he desperately tries to get venture capital for his sexy wingwoman app from a sex-starved investor, Mike. To convince Mike to invest, Paul uses his app to seduce a feisty stranger, Zoe. As the App whispers advice, Paul becomes a hipster Don Juan and they grow closer through the night. But when Paul starts to feel a genuine connection, all his calculations become a little more complicated.
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The story centers on a heterosexual romantic pursuit between Paul and Zoe. There is no evidence of non-cisnormative identities or critiques of heteronormativity.
Gender Representation
While Zoe is described as feisty, the plot remains driven by the male protagonist's technological intervention. The power dynamics follow traditional romantic comedy structures.
Racial & Ethnic Diversity
The setting in a Los Angeles bar suggests urban diversity, but the cast's racial composition is not specified. There is no evidence of intentional intersectional depth.
Religious & Cultural Diversity
The film explores modern venture capitalism and digital connection. It operates within a standard framework of consumerist romance without explicit systemic critiques.
Disability Representation
The narrative contains no mention of characters with physical, sensory, or neurodivergent disabilities.
Strengths
Areas for Improvement
AI Analysis
App follows a modern-day Cyrano de Bergerac trope, focusing on a shy engineer using technology to facilitate a romantic connection. The narrative is built around conventional romantic and professional pursuits, primarily centered on a heterosexual relationship and the pursuit of venture capital. The film relies on established genre tropes within the action, comedy, and romance categories. It lacks documented evidence of systemic subversion or complex intersectional character agency, sticking instead to a standard romantic comedy framework. While the setting offers potential for diversity, the actual representation of race, gender, and identity remains unverified and appears to follow traditional, non-subversive social hierarchies.
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