
Stockholm
2013

2020
Director
Carlos Sedes
Runtime
120 minutes
Average Rating
No ratings yetSynopsis
Year 1998. Isabel, a journalism student, is forced to do her internship in the newspaper of a small Galician coastal town in order to finish her degree. When she arrives, she wants to start investigating as soon as possible, to demonstrate everything she has learned in order to become a real journalist. But the position she is assigned is the last one she expected: the writing and management of the obituaries that reach the newsroom. But this, which might seem boring at first, becomes the door to an investigation that will take her through different parts of the Spanish geography in search of an impossible love story.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The narrative centers on an 'impossible love story,' a theme that often signals non-heteronormative or socially transgressive romances. While specific intimacy is not detailed, the phrasing suggests a departure from traditional romantic tropes.
Gender Representation
Isabel serves as a highly capable female lead driven by professional ambition. The film subverts gendered labor expectations by transforming a traditionally passive administrative role into a position of investigative authority.
Racial & Ethnic Diversity
Set in a small Galician coastal town in 1998, the film likely reflects the homogeneous demographic of rural Spain. There is no explicit evidence of diverse casting or multi-ethnic representation.
Religious & Cultural Diversity
The story uses obituaries to critique established social structures and uncover hidden truths. This investigative approach suggests a skepticism toward official records and surface-level social orders.
Disability Representation
The available information provides no evidence regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.
Strengths
Areas for Improvement
AI Analysis
El verano que vivimos is a character-driven drama that prioritizes female agency and the deconstruction of historical narratives. The film succeeds in elevating a marginalized professional role into a vehicle for profound investigation. While the 1998 Galician setting suggests a degree of demographic traditionalism, the thematic focus on 'impossible' loves and the pursuit of hidden truths indicates a sophisticated approach to storytelling. The protagonist's intellectual curiosity drives the plot forward. Ultimately, the film challenges conventional social documentation by looking past official records to find the complex, lived realities of a community.

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