
Asylum
2008

2001
Director
Ten Shimoyama
Runtime
85 minutes
Average Rating
No ratings yetSynopsis
Nami has been creating artwork for a new video game based on images she's been seeing in her dreams. With one of the game producers, she travels out to an abandoned house that seems to match her visions. As they explore the old mansion, Nami begins to have more visions of a forgotten childhood, until at last she comes across a photo of twin infants, labelled "Nami" and "Naomi". As Nami and the producer go from room to room, an unseen person seems to be watching them from a hidden room.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film focuses on the professional connection between Nami and a game producer. There is no explicit depiction of queer identities or non-heteronormative intimacy in the narrative.
Gender Representation
Nami serves as a central protagonist whose creative agency drives the plot. The story prioritizes her internal psychological landscape over traditional male-driven horror conflicts.
Racial & Ethnic Diversity
As a Japanese production, the film establishes a non-Western cultural baseline. However, the narrative lacks specific details regarding the intersectionality of the cast.
Religious & Cultural Diversity
The story explores subjective reality and the instability of memory through dream-logic. It avoids traditional moralities but lacks clear evidence of specific systemic critiques.
Disability Representation
Nami experiences intrusive visions and potential dissociative states. It remains unclear if these neurodivergent-coded experiences are portrayed with agency or used as supernatural devices.
Strengths
Areas for Improvement
AI Analysis
St. John's Wort functions as a psychological horror piece centered on female agency and fractured identity. The narrative follows Nami, an artist translating subconscious visions into digital media, which provides a moderate subversion of typical gendered horror tropes. While the film offers a non-Western perspective as a Japanese production, it lacks the specific intersectional markers or diverse ethnic groupings needed for a higher score. The themes of memory and identity are compelling but remain largely internal. Ultimately, the film occupies a neutral space. It avoids many patriarchal tropes by centering a woman's creative process, yet it lacks explicit representation of LGBTQ+ identities or clear depictions of disability as a lived experience.

2008

1987

2021

2000

2015

2006

1987

2015

2016
No reviews yet. Be the first to share your thoughts on this movie!
Use the rating form above to leave a star rating and optional review.