
Chronicle Mysteries: The Wrong Man
2019

2023
Director
Lorenzo Gabriele
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
On the Atlantic coast, bales of pure cocaine were found at low tide several days ago. That morning, the body of Lucas Lagne, captain and son of a family that owned a shipyard in the region, was found. Sarah, a gendarmerie captain, is in charge of the investigation and will have to team up with Ben, from the narcotics squad, who has just been called in as backup by the prosecutor. The surprise of meeting face to face is great. 19 years ago, they lived in the same city, where Sarah fled when she was pregnant...
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film lacks explicit LGBTQ+ characters or non-cisnormative identities. The central tension focuses on a past connection between a man and a woman.
Gender Representation
Sarah holds a position of professional authority as a Gendarmerie captain. This centers a woman as the primary investigator and driver of the plot.
Racial & Ethnic Diversity
The narrative leans toward a traditional European procedural framework. There is no evidence of intentional racial diversity within the localized Atlantic coast setting.
Religious & Cultural Diversity
The story explores social pressures through a character fleeing due to pregnancy. It focuses on law, order, and the complexities of local family structures.
Disability Representation
There is no evidence of characters navigating physical, sensory, or neurodivergent experiences within the provided narrative.
Strengths
Areas for Improvement
AI Analysis
The film operates as a standard crime procedural, prioritizing a mystery involving narcotics and local shipyard legacies. While it avoids many intersectional complexities, it succeeds in placing a woman in a position of high professional agency. However, the narrative lacks breadth in its representation of identity. The focus remains on individual histories and criminal investigation rather than exploring diverse social or systemic hierarchies. Ultimately, the work follows a traditional framework that does not actively seek to disrupt established social norms or provide significant visibility for marginalized groups.

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