
Already Gone
2019

Representation Score
Good
2020
Director
Joe Duca
Runtime
104 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Her Name Was Jo is a gritty drama that emphasizes realistic character development over grandiose spectacle. It excels in challenging gender stereotypes by placing two young girls in positions of extreme ability to act and survivalism. The film effectively dismantles traditional family structures and promotes female autonomy. By focusing on underrepresented experiences, it questions the sanctity of the nuclear family. However, the lack of specific racial and ethnic details limits the assessment of diversity. Additionally, while it addresses psychological trauma, it does not explicitly address specific physical or neurodivergent disabilities.
Category Breakdown
The film focuses on a close relationship between Jo and Selma, suggesting a strong bond that may be either platonic or based on mutual survival. Their identities are not explicitly stated, but their connection hints at a deeper exploration of LGBTQ themes.
Jo and Selma take charge in critical situations, demonstrating a significant role in driving the story. They challenge the traditional damsel-in-distress cliché by being the main drivers of the plot through their resilience and independence.
The narrative provides no specific details regarding the racial or ethnic identities of the characters. Consequently, there is insufficient information to assess the film's racial diversity.
The story questions traditional family structures by highlighting trauma and instability within the home. It emphasizes individualistic journeys over established cultural norms, offering a fresh perspective on societal roles.
Characters face significant psychological trauma and the physical challenges of living in poverty. This portrayal highlights the mental health impacts of unstable environments.
Present on Screen
Limited or Absent
Official Synopsis
Ten-year-old Jo spends her days along the Shenandoah River with her best friend Selma, fishing, scrapping for metal–surviving. But when her abusive junkie stepdad dies, Jo decides, Selma in tow, to dump the body, steal the car, and set off across the country in search of her real dad, a legendary folk singer in Los Angeles.

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