The film lacks any evidence of non-cisnormative gender identities or same-sex intimacy. It follows a traditional comedic-horror structure without engaging with queer themes.

Female protagonists provide a baseline presence in the story. However, they do not appear to subvert traditional hierarchies or drive the plot through significant intellectual or physical superiority.

A journey to South America introduces a non-Western setting. Yet, there is no evidence of a non-white majority cast or the use of race-bent casting to challenge norms.

The plot centers on cannabis use as a supernatural device. It focuses on surrealist escapism rather than deconstructing Western religious or social institutions.

There is no indication of characters with visible or invisible disabilities. Disability is not utilized as a narrative device within this work.