
What Men Still Talk About
2011

2008
Director
Evgeniy Bedarev
Runtime
86 minutes
Average Rating
No ratings yetSynopsis
Performing the traditional New Year's call on the unknown phone number Andrey didn't even suspected, that just after his return to Moscow, he had bought a magic starting pack of cellular communications operator. Getting through to the deserted in New Year's eve Alyona, Andrey almost falls in love with her, but there exists a temporal problem. Alyona is celebrating coming 2008 year and Andrey is going to meet 2009. Trying "to set a contact" with Alyona's «future variant» he comes to know the terrible truth about the events, that appended in the end of 2008. Now the main goal of Andrey and all his friends - to prevent the awful tragedy and to turn into reality the meeting of Alyona and Andrey...
Overall Score
Limited
Category Breakdown
LGBTQ+ Representation
The film focuses on a central heteronormative romance between Andrey and Alyona. There is no evidence of queer narratives or non-cisnormative identities within the core plot.
Gender Representation
While Alyona is central to the emotional stakes, the male protagonist drives the narrative. Andrey holds the primary agency in navigating temporal mechanics and initiating the rescue.
Racial & Ethnic Diversity
Set in Moscow, the film depicts a homogeneous social environment. There is no indication of a multi-ethnic cast or intentional efforts toward racial blending.
Religious & Cultural Diversity
The story is deeply rooted in traditional New Year's Eve celebrations. It emphasizes sentimentality and fate rather than critiquing social institutions or exploring secularism.
Disability Representation
No visible or invisible disabilities are integrated into the character arcs. Disability is not used as a primary narrative driver in this story.
Strengths
Areas for Improvement
AI Analysis
The film operates strictly within the conventions of the romantic-fantasy genre, prioritizing traditional tropes over social subversion. The narrative architecture centers on a heteronormative connection and localized cultural traditions. Diversity is limited by a focus on a homogeneous Moscow setting and conventional gender dynamics. The male lead maintains the primary agency required to drive the plot forward. Ultimately, the work functions as a genre-standard exploration of fate. It lacks intentional efforts to incorporate intersectional identities or disrupt established social hierarchies.

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