Will of Universe
1988
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Diversity score: 4.2 out of 10
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The Rocket List
2015
PG-13Director
Akash Sherman
Runtime
84 minutes
Average Rating
No ratings yetSynopsis
More than a year has passed since the world found out about Ceres II, a dwarf planet on a clean course to devastate earth. The initial chaos that ensued has diminished; in the final weeks leading up to impact, people everywhere are trying to live normal everyday lives just one last time. Four friends use their final days to fulfill their bucket lists and document it in hopes of preserving a time capsule they call the "Rocket List". The plan is to fire off their documentary into outer space before impact in hopes that one day someone will find it.
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Diversity & Representation
Overall Score
4.3/10
Fair
Category Breakdown
LGBTQ+ Representation
The film lacks explicit mention of LGBTQ+ characters or non-cisnormative identities. There is no evidence of narratives addressing heteronormativity within the available character descriptions.
Gender Representation
The story centers on four friends, allowing for a balanced distribution of agency. While specific genders are not detailed, the focus on personal bucket lists suggests individual autonomy over traditional roles.
Racial & Ethnic Diversity
The global scope of the planetary extinction event implies a universal human experience. However, there is no explicit evidence of intentional intersectional casting to confirm racial diversity.
Religious & Cultural Diversity
The narrative deconstructs societal permanence by focusing on personal fulfillment during the world's final weeks. This prioritizes individual truth over the stability of traditional Western institutions.
Disability Representation
There is no information regarding the inclusion of characters with physical, sensory, or neurodivergent disabilities in this production.
Strengths
- The narrative disrupts conventional disaster cinema by centering on personal, subjective experiences rather than institutional survival.
- The focus on individual autonomy and bucket lists offers a critique of traditional Western societal structures.
Areas for Improvement
- The film lacks verifiable data regarding specific character identities, such as race, gender, or sexual orientation.
- There is no evidence of representation for characters with physical, sensory, or neurodivergent disabilities.
AI Analysis
The film functions as an existential drama that uses a science fiction premise to explore human agency during systemic collapse. It avoids the typical disaster cinema tropes of institutional heroism, focusing instead on the documentation of subjective experiences. By framing the apocalypse through personal bucket lists rather than organized social preservation, the story critiques the utility of traditional structures. This shift toward moral relativism provides a unique thematic lens. Ultimately, the film remains a mid-range entry regarding representation. While it explores post-structuralist themes, it lacks the verifiable character data needed to be considered a model of intersectional diversity.
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