The film lacks explicit evidence of LGBTQ+ characters or non-heteronormative identities. The central trio of a priest, nun, and showman appears to adhere to conventional social roles.

A nun is part of the central trio, though her narrative agency remains unclear. The plot's focus on the abduction of Tien Tien may rely on traditional damsel-in-distress tropes.

As a Hong Kong production, the film features an East Asian cast and setting. This provides a meaningful departure from the Anglo-Saxon centricity common in Western horror.

The story uses religious figures within a horror-comedy framework. While the showman might offer social satire, the plot primarily centers on conflicts between the sacred and supernatural.

There is no mention of characters navigating physical, sensory, or neurodivergent disabilities within the narrative.