
Cosa fai a Capodanno?
2018

2004
Director
Juraj Jakubisko
Runtime
104 minutes
Average Rating
No ratings yetSynopsis
This adult comedy looks at the complex, intermingled sexual relationships between a bunch of diverse characters - a barmaid, a part-time prostitute, a hippy, a rocker, a medical student and a confused virgin!
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film explores a wide spectrum of intermingled sexual relationships. While this suggests a departure from heteronormative exclusivity, there is no explicit evidence of queer identities or narratives.
Gender Representation
The story centers on female-coded roles like a barmaid and a part-time prostitute. This positioning grants these women agency and places them at the heart of the character web.
Racial & Ethnic Diversity
The narrative provides no specific details regarding the ethnic composition of the cast. The term 'diverse' likely refers to social lifestyles rather than racial intersectionality.
Religious & Cultural Diversity
The film subverts traditional social institutions by focusing on characters from the fringes of society. It prioritizes situational ethics and a postmodern worldview over rigid moral codes.
Disability Representation
There is no evidence of characters with physical, neurodivergent, or mental health disabilities within the provided context.
Strengths
Areas for Improvement
AI Analysis
Juraj Jakubisko’s comedy functions as a deconstruction of social and sexual mores. By centering characters like hippies, rockers, and sex workers, the film challenges traditional hierarchies and the sanctity of the conventional family unit. However, the work lacks explicit intersectional depth. While it moves away from traditional monogamy and social respectability, it does not provide documented demographic breadth or targeted identity-based storytelling. Ultimately, the film sits in a transitional space, prioritizing the exploration of unconventional social structures over a progressive exploration of specific identity politics.

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