
Tutti all'attacco
2005

Representation Score
Good
2012
Director
Lorenzo Vignolo
Runtime
105 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Workers - Pronti a tutto is a gritty, character-driven comedy that prioritizes the subversion of social and moral norms over demographic diversity. It excels in deconstructing the 'ideal' worker and the 'ideal' family, presenting characters who exist in the fringes of legality and ethics. While the film offers a sharp critique of systemic social structures and traditional respectability, it lacks significant visibility for LGBTQ+ and multi-ethnic communities. The narrative remains focused on a localized Italian setting and traditional, albeit dysfunctional, social hierarchies. Ultimately, the film succeeds as a study of moral relativism and social realism, even if it relies on certain clichés regarding disability and lacks broad diversity.
Category Breakdown
The film does not explicitly depict LGBTQ+ identities or relationships that go beyond the assumption that everyone is straight. The story focuses on exploitative and transactional relationships among the main characters.
Female characters like Alice challenge traditional gender roles through specialized and grim jobs in mortuary work and criminal deception. Meanwhile, masculinity is shown as fragmented, often defined by servitude or social ineptitude.
The setting seems to be a localized, likely homogeneous Mediterranean environment. There is no explicit indication of a multi-ethnic cast or significant diversity in race.
The film critiques traditional institutions by operating in moral gray zones. It highlights systemic issues through depictions of organized crime, drug use, and dysfunctional family dynamics.
Mario Spada is depicted with ability to act, though his character leans toward the cliché of the 'unbearable' disabled individual. The film avoids sentimentality in favor of a raw, problematic realism.
Present on Screen
Limited or Absent
Official Synopsis
Giacomo finds himself working as a carer for a disabled person, Mario Spada, who is unbearable, to say the least: vulgar, a callous poker player who loves his vodka, he insults him, sends him to buy cocaine and forces him to come with him looking for prostitutes. Italo works on a cattle farm: his job is to collect seed specimens for genetic sampling - in other words, he masturbates bulls - but he makes his girlfriend Tania, a fan of TV series Dr House, believe that he is a great surgeon. Alice dreams of being a film and theatre make-up artist, but the only job she can find is that of doing the make-up on corpses for a funeral home, and to supplement that she accepts an offer from Saro, the son of a family of a Mafiosi, to play the part of his dead wife in public occasions, given the extraordinary semblance.

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