The film lacks explicit depictions of LGBTQ+ identities or non-heteronormative romantic structures. The narrative focuses instead on transactional and exploitative relationships within the protagonists' immediate social circles.

Female characters like Alice subvert traditional domesticity through specialized, grim roles in mortuary work and criminal deception. Conversely, masculinity is portrayed as fragmented, often defined by servitude or social ineptitude.

The setting appears to be a localized, likely homogeneous Mediterranean social framework. There is no explicit evidence of a multi-ethnic cast or significant racial intersectionality within the narrative.

The film deconstructs traditional institutions by operating in moral gray zones. It critiques systemic structures through depictions of organized crime, illicit substance use, and dysfunctional family dynamics.

Mario Spada is depicted with agency, though his character leans toward the trope of the unbearable disabled individual. The film avoids sentimentalism in favor of a raw, problematic realism.