The Sign of Four

The film follows strict Victorian standards and does not depict any non-straight or non-cisgender identities or same-sex relationships.

Male characters dominate intellectually and physically throughout the story. Mary Morstan drives the plot, but her role is reactive and tied to her relationship with Watson.

The story explores post-colonial themes involving the Agra treasure and India. However, characters of color mainly serve as plot devices within a colonial perspective.

The film emphasizes Western traditions and the stability of British institutions. It presents morality through a singular lens of law and justice without challenging Western social orders.

There is no nuanced portrayal of neurodivergence or physical disabilities. Any physical challenges faced by characters are used as standard genre mechanics rather than exploring lived experiences.