
The Darkness
2016

2013
PG-13Director
Scott Stewart
Runtime
97 minutes
Average Rating
No ratings yetSynopsis
From the producers of Paranormal Activity, Insidious, and Sinister comes Dark Skies: a supernatural thriller that follows a young family living in the suburbs. As husband and wife Daniel and Lacey Barret witness an escalating series of disturbing events involving their family, their safe and peaceful home quickly unravels. When it becomes clear that the Barret family is being targeted by an unimaginably terrifying and deadly force, Daniel and Lacey take matters in their own hands to solve the mystery of what is after their family.
Overall Score
Minimal
Category Breakdown
LGBTQ+ Representation
The film operates within a strictly cisnormative and heteronormative framework. There are no discernible LGBTQ+ characters or explorations of non-heteronormative identities.
Gender Representation
Lacey and Daniel share the burden of protecting their household. However, their roles largely align with conventional parental archetypes and traditional gender roles.
Racial & Ethnic Diversity
The narrative focuses on a white, middle-class American family. It lacks diverse character ensembles or any engagement with racial or ethnic plurality.
Religious & Cultural Diversity
The story reinforces traditional Western values by centering the sanctity of the nuclear family. It lacks critique of religion or Western institutions.
Disability Representation
There are no visible or invisible disabilities portrayed. Characters are presented through a lens of standard physical and mental capability.
Strengths
Areas for Improvement
AI Analysis
Dark Skies is a conventional supernatural thriller that prioritizes genre tropes over social or identity-based exploration. The narrative architecture focuses on the vulnerability of the nuclear family when confronted by an external force. The film reinforces a standard suburban paradigm, centering on a homogeneous domestic structure. It does not seek to disrupt traditional social hierarchies or explore intersectional identities. Ultimately, the production functions as a traditionalist piece. It emphasizes the preservation of the status quo rather than the deconstruction of social norms.

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