
Und dennoch lieben wir
2011

2018
Director
Olga Chajdas
Runtime
130 minutes
Average Rating
No ratings yetSynopsis
Nina, a teacher in her mid-30s struggling to have a child, looks for a surrogate mother. It would seem that together with her husband she has found an ideal candidate, yet Nina falls for the woman, who could have given birth to her child.
Overall Score
Good
Category Breakdown
LGBTQ+ Representation
The film centers on Nina’s romantic attraction to her intended surrogate. This shift disrupts heteronormative expectations and grants the queer relationship significant narrative agency.
Gender Representation
The story prioritizes female interiority and agency. It explores the specific societal pressures placed on women regarding motherhood and subverts domestic drama tropes.
Racial & Ethnic Diversity
The film reflects a localized Greek context with high cultural authenticity. It lacks multi-ethnic casting, focusing instead on a specific regional social fabric.
Religious & Cultural Diversity
The narrative challenges the sanctity of the conventional nuclear family. It prioritizes personal emotional truth over rigid communal or traditionalist mandates.
Disability Representation
There are no prominent depictions of physical or neurodivergent disabilities that serve as central plot drivers in this narrative.
Strengths
Areas for Improvement
AI Analysis
Nina is a character-driven drama that uses an intimate crisis to critique societal expectations of womanhood. The film succeeds by centering a narrative on a deviation from expected reproductive paths, offering a nuanced look at gendered agency. While the film provides progressive representation regarding queer identity and female autonomy, it remains culturally localized. The focus on a specific Greek social fabric limits broader racial diversity. Ultimately, the film functions as a study of subjective morality, exploring how human connections can fundamentally reconfigure life goals and social standing.

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