The story centers almost entirely on the heteronormative bond between Mulder and Scully. It lacks queer-coded subplots or non-cisnormative identities within the main character arcs.

Dana Scully serves as the intellectual anchor, providing scientific agency that balances Mulder's intuition. This dynamic subverts traditional hierarchies by placing female competence at the narrative's center.

The ensemble leans toward a homogeneous, Anglo-centric demographic. While avoiding harmful stereotypes, the film lacks proactive intersectional casting to drive the plot.

The film critiques Western institutional authority by portraying government agencies as secretive and untrustworthy. It explores moral relativism through the tension between skepticism and spirituality.

Psychological distress and trauma serve as plot drivers rather than nuanced explorations of disability. Characters with disabilities lack independent agency in the narrative.