
Love the Coopers
2015

Representation Score
Good
2016
PG-13Director
David E. Talbert
Runtime
111 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Almost Christmas stands out as a strong example of racial centering in holiday cinema. By focusing on Black communal narratives and family dynamics, the film offers a rich, non-Anglo-centric perspective that avoids including someone from a minority group without giving them real depth. While the film excels in racial representation, it remains conservative in other areas. It adheres strictly to traditional religious and familial frameworks, offering limited subversion of established social hierarchies. Ultimately, the film balances meaningful racial inclusion with a traditional approach to cultural and gendered power dynamics, providing a robust platform for Black actors despite its conventional social structures.
Category Breakdown
The film focuses on traditional romantic and familial structures without featuring significant LGBTQ+ characters or challenging assumptions about heterosexual relationships.
Cheryl serves as the main driver of professional and emotional stability. This positions the film as a counterpoint to male-dominated narratives, emphasizing female leadership and resilience.
The film excels by using an almost entirely Black primary cast. It highlights specific African American cultural and socioeconomic nuances without resorting to including someone from a minority group without giving them real depth.
Faith and the church are shown as essential sources of community. The narrative emphasizes traditional values of family stability and social cohesion.
The story explores emotional struggles related to grief and loss. However, there is no prominent focus on physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A dysfunctional family gathers together for their first Christmas since the death of their matriarch.

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