
Laplace's Witch
2018

Representation Score
Good
2021
Director
Hajime Hashimoto
Runtime
122 minutes
Average Rating
No ratings yetNew Showbiz Analysis
SIGNAL: The Movie – Cold Case Investigation Unit is a high-stakes procedural that finds its strength in challenging traditional police hierarchies. By placing a female character in a position of intellectual authority, the film disrupts conventional gender roles. However, the film remains largely within the bounds of traditional demographic casting. It lacks explicit representation or character arcs that challenge the assumption that everyone is straight or cisgender. While the narrative provides a compelling critique of state institutions and official truths, it does not offer significant representation for LGBTQ+ or racially diverse identities.
Category Breakdown
The film does not include explicit LGBTQ+ characters or relationships that challenge the idea that everyone is straight or cisgender.
Misaki Sakurai breaks traditional gender roles by serving as a team leader with high-level command. She plays a significant role in driving the story rather than being a supporting figure.
The story takes place in a culturally homogeneous Japanese setting. It reflects specific demographic realities without relying on racial stereotypes or significant racial blending.
The film offers a sophisticated critique of institutional power. It explores skepticism toward official state narratives and the potential corruption within government structures.
There is no explicit evidence of characters with visible or invisible disabilities. The score remains conservative due to a lack of characters exercising ability to act through disability.
Present on Screen
Limited or Absent
Official Synopsis
The story continues from the Japanese SIGNAL drama series. In 2021, a limousine taxi driver causes an accident on a highway, and a high-level government official dies in the accident. The cold case investigation unit, including Kento Saegusa and team leader Misaki Sakurai, have doubts about the case. Meanwhile, in 2009, administrative officers die consecutively in car accidents. The police announce these deaths as accidents. Takeshi Ōyama believes that these deaths were not the product of simple accidents. At 11:23 pm, a walkie-talkie turns on and makes a connection between the future and past. Kento Saegusa and Takeshi Ōyama face the threat of bioterrorism.

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