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The Christmas Contest

The Christmas Contest

2021

TV-G

Director

Paula Elle

Runtime

84 minutes

Average Rating

No ratings yet

Synopsis

Exes Lara and Ben compete in a Christmas contest to win money for the charity of their choosing. The city watches them battle and choose what is more important, victory or love.

Where to Watch

Diversity & Representation

Overall Score

2.8/10

Limited


Category Breakdown

LGBTQ+ Representation

Minimal

The film focuses on a heteronormative romantic rivalry between the leads. There is no evidence of non-cisnormative identities or critiques of traditional romantic structures.

Gender Representation

Fair

Lara and Ben drive the competitive narrative, offering some female agency. However, the film relies on conventional gendered archetypes common to the romance genre.

Racial & Ethnic Diversity

Limited

The cast includes diverse actors like Doron Bell and Matteus Lunot. Despite this, race does not appear to be a central driver of the plot.

Religious & Cultural Diversity

Limited

The story reinforces traditional Western Christmas celebrations and family-centric values. It promotes social cohesion through established holiday sentiments and charitable frameworks.

Disability Representation

Minimal

There is no visible evidence regarding the inclusion of characters with physical or neurodivergent disabilities in the narrative.

Strengths

  • The cast features a degree of racial variety through actors like Doron Bell and Matteus Lunot.
  • The competitive dynamic between the leads provides a platform for female agency.

Areas for Improvement

  • The narrative lacks representation of LGBTQ+ identities or non-cisnormative perspectives.
  • The film adheres to traditional Western cultural norms without exploring diverse holiday traditions.
  • There is no apparent inclusion of characters with physical or neurodivergent disabilities.

AI Analysis

The film operates as a conventional holiday romance, prioritizing established genre tropes over the disruption of social hierarchies. It leans heavily into traditionalist, family-centric media structures. While the production includes a multi-ethnic cast, the narrative does not utilize intersectional storytelling. The focus remains on a predictable romantic arc rather than challenging systemic power dynamics. Ultimately, the film reinforces heteronormative resolutions and Western seasonal traditions, offering a standard experience within the holiday-themed romantic drama framework.

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