
Good As New
2020

Representation Score
Good
2018
TV-MADirector
Fernando Colomo
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film succeeds as a character-driven ensemble comedy that challenges class hierarchies. By centering a working-class woman as the emotional leader, it offers a refreshing take on female empowerment within a social comedy framework. However, the narrative lacks depth in exploring broader identity issues. It relies on traditional storytelling structures and misses opportunities to include explicit LGBTQ+ identities or diverse racial representation. The focus remains heavily on class-based social critique rather than broader identity politics. Ultimately, the film prioritizes human connection and community dynamics over the deconstruction of systemic social institutions.
Category Breakdown
The film centers on familial reconnection and community ties. There is no explicit depiction of non-straight or non-cisgender identities or same-sex relationships driving the main plot.
A female cleaner and street dancer serves as the proactive protagonist. Her maternal instincts and vocational skills offer a nuanced portrayal of women's roles and leadership.
The film highlights class-based dynamics between a cleaner and a former CEO. There is no verified evidence of diverse ethnic representation or color-blind casting.
The story explores social stratification and class mobility within a Spanish context. It examines community interdependence and the tension caused by shifting social statuses.
Memory loss in a former CEO serves as a plot device for character development. The film lacks a dedicated exploration of neurodivergence or disability rights.
Present on Screen
Limited or Absent
Official Synopsis
A cleaner woman with vocational street dancer tries to recover her long-stranded son that she gave for adoption, a former CEO who lost everything, including his memories.

2020

2020

2018

1983

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1995

2021

2023
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