
Death of a Ghost Hunter
2007

Representation Score
Minimal
2020
TV-MADirector
Richard Mansfield
Runtime
71 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The House in Sherwood primarily operates within the horror and thriller genres, focusing on found-footage techniques rather than social deconstruction. The narrative centers on a rivalry between Angela Bennett and Karen, offering some potential for female empowerment through role shifts. However, the film lacks broad demographic representation. It does not feature LGBTQ+ identities, racial diversity, or disability. The story seems focused on the mechanics of a paranormal investigation rather than addressing multi-layered themes. Ultimately, the film serves as a genre piece that avoids broader socio-political commentary, resulting in a narrow scope of representation.
Category Breakdown
The film does not include any characters with non-straight identities or same-sex relationships. The main conflict revolves around professional competition rather than identity-based stories.
The story hints at reversing traditional power structures through role changes. Female characters might shift from vulnerable roles to positions where they have more control or dominance.
Neither the cast nor the synopsis suggest a diverse or non-Anglo-Saxon majority. There is no indication of actors playing roles outside their typical ethnicity or cultural backgrounds.
The focus on a paranormal skeptic suggests a secular outlook. However, the film does not explore broader socio-political issues or critique Western institutions.
There is no mention of neurodivergence, physical disabilities, or mental health conditions. These factors are not part of the character arcs or the plot.
Present on Screen
Limited or Absent
Official Synopsis
Angela Bennett is conducting an investigation into the paranormal events that happened at a haunted house in Sherwood. What Angela doesn't know is that she is being followed by Karen, who is making a film of her own.

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