The film offers no evidence of queer narratives or non-cisnormative identities. Characters appear to follow traditional archetypes common to the horror genre.

Gender dynamics follow conventional tropes without clear subversion of traditional hierarchies. The narrative lacks specific arcs that challenge standard masculinity or femininity.

The film provides a non-Western perspective by rooting its horror in Chinese folklore. The cast remains homogeneous within its specific regional cultural context.

By centering local spiritualism and rural superstitions, the film disrupts Western-centric horror paradigms. It prioritizes regional mysticism and folk belief systems.

There is no discernible evidence regarding the inclusion or portrayal of characters with physical or neurodivergent disabilities.