The story focuses on a heteronormative relationship between Zoé and Mathéo. It lacks prominent LGBTQ+ characters or non-cisnormative identities, reflecting a narrow focus on a specific domestic tragedy.

The film centers on female intellectual agency and the experience of loss. It also subverts masculine tropes by allowing Mathéo to display profound emotional vulnerability and breakdown.

The cast and setting are predominantly white, reflecting a homogeneous Parisian milieu. This realist aesthetic offers very little opportunity for intersectional racial exploration.

The narrative operates within a secular framework, focusing on personal mortality rather than religious dogma. It avoids idealized nuclear family tropes but lacks overt systemic critiques.

Terminal illness is treated as a lived reality rather than a plot device. The film avoids inspiration porn, focusing instead on the psychological impact of a diagnosis.