
Manhattan Baby
1982

Representation Score
Limited
2013
Director
Roberto Albanesi, Luca Alessandro, Simone Chiesa, Alex Visani, Antonio Zannone
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The Pyramid operates strictly within the established constraints of the horror anthology genre. Its narrative is driven by a central supernatural catalyst rather than the exploration of identity politics or systemic power dynamics. The film prioritizes atmospheric dread and traditional genre clichés. Consequently, it lacks the intentional representation of underrepresented identities or the subversion of social hierarchies found in more progressive works. Ultimately, the production functions as a niche horror piece where survival and madness take precedence over the deconstruction of social or ethnic identities.
Category Breakdown
The film does not include visible LGBTQ identities or non-cisgender expressions. The story revolves around an infernal object instead of critiquing straight relationships.
The film adheres to conventional genre expectations. Women do not have prominent roles, and traditional masculinity is not challenged.
The story centers on a supernatural object rather than ethnic dynamics. There is no indication of a non-Anglo-Saxon majority.
The film uses cosmic dread to disrupt social stability. This seems to be a standard horror requirement rather than a critique of Western morality.
There is no information regarding the inclusion of characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
Four episodes strictly connected to an infernal object: a bizarre pyramid that came into our world to spread madness, death and destruction.

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