
Cannibal Vegetarian
2012

2004
Not RatedDirector
Edgardo Viereck
Runtime
80 minutes
Average Rating
No ratings yetSynopsis
In Santiago, Andrés Barros is a partner at an up-and-coming law firm. He's getting married, and his friends, including his law partner Roberto, arrange a bachelor party where he spends the night with a prostitute, Gloria. She later shows up at his office and the passion continues, against his better judgment. Soon, Andrés is entangled in sex, lies, videotape, and blackmail. His relationship with Rosario, his fiancée, is strained, he neglects his work, and there's a dead body in a bathtub. A pimp, a whore, a doorman, a receptionist: where are the decent people?
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The story centers on heteronormative structures, focusing on a man's impending marriage to a woman. There is no evidence of queer-coded subtext or non-cisnormative identities.
Gender Representation
The film challenges masculine authority by depicting a successful professional losing control of his agency and morality. Andrés is portrayed through his vulnerability and chaos rather than competence.
Racial & Ethnic Diversity
Set in Santiago, the narrative emphasizes class stratification between professionals and the underworld. However, it does not explicitly detail the racial composition of the characters.
Religious & Cultural Diversity
The film critiques middle-class stability and Western professional ethics through a lens of moral relativism. It deconstructs traditional institutions by showing their entanglement in lies and violence.
Disability Representation
The narrative provides no mention of visible or invisible disabilities. Consequently, no representation is present in the provided material.
Strengths
Areas for Improvement
AI Analysis
Decent People serves as a cynical character study that dismantles the facade of the respectable citizen. It succeeds by subverting traditional masculine leadership, showing a professional man's descent into moral and professional instability. The film's primary focus is on class dynamics and the decay of social hierarchies rather than identity-based diversity. While it critiques the stability of the middle class, it remains limited by a lack of explicit racial or queer representation. Ultimately, the work offers a progressive look at systemic dysfunction and situational ethics, even as it operates within a largely traditional romantic and social framework.

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