The film offers no evidence of LGBTQ+ characters or non-cisnormative identities. The narrative focuses entirely on the survival mechanics of a horror premise.

The story centers on two friends, a trope that often defaults to traditional masculine-coded survival dynamics. There is little indication of gendered agency or subverted hierarchies.

The survivalist framework of a ghost town and a prehistoric predator suggests a potentially homogeneous character group. No evidence exists of a non-white majority cast.

The film adheres to standard Western survival-horror conventions. It lacks any indication of critiques regarding Western institutions, religion, or moral relativism.

There is no information regarding the inclusion or portrayal of characters with visible or invisible disabilities.