The film lacks explicit LGBTQ+ identities or non-heteronormative romantic structures. The narrative focuses on Anton's pursuit of Eva, though it avoids derogatory tropes or heteronormative policing.

Anton drives the plot, but Martha is a competent, detail-oriented figure. She provides essential structural balance and avoids submissive femininity by acting as an active participant in the setting's preservation.

The cast appears relatively homogeneous within its setting. The story focuses on socioeconomic struggles of a localized community rather than an intersectional exploration of racial identity.

The film critiques capitalist expansion through Gregor, a developer threatening communal spaces. It frames predatory development as a disruption to whimsical, local social cohesion and identity.

Anton’s blind father is a foundational element of the emotional stakes. The characters' care for him avoids mockery or 'inspiration porn,' integrating his needs into the central conflict.