You are here:

The Fourth Man

Name: The Fourth Man
Director: Dejan Zečević
Released: 2007
Duration: 103 min

Representation Score

4.1/10

Fair

2007

Director

Dejan Zečević

Runtime

103 minutes

Average Rating

No ratings yet

New Showbiz Analysis

The film is a genre-driven thriller that prioritizes psychological tension and political intrigue over social representation. Its narrative structure emphasizes traditional masculine hierarchies and institutional power struggles. While the story introduces moral ambiguity and war criminality, it does so through individual trauma rather than a broader framework of characters who reflect more than one aspect of diversity. The focus remains on identity and systemic corruption within a specific geopolitical context.

Watch this, not that →

Category Breakdown

Does The Fourth Man have LGBTQ+ representation?

Minimal

The film follows traditional family structures and masculine power dynamics without representing LGBTQ+ identities.

How does The Fourth Man portray gender?

Limited

The story is driven by male-dominated institutions and figures. Female characters are passive subjects of tragedy.

How racially and ethnically diverse is The Fourth Man?

Fair

The story focuses on ethnic conflicts in the Balkans, emphasizing regional political tensions over multicultural representation.

How does The Fourth Man represent religion and culture?

Fair

The film explores systemic corruption and moral ambiguity within state institutions. It challenges heroic clichés by revealing the protagonist's involvement in war crimes.

Does The Fourth Man include disability representation?

Limited

Amnesia and a post-coma state serve as central plot devices, facilitating the thriller genre without a nuanced portrayal of neurocognitive impairment.

Present on Screen

Challenges the 'heroic soldier' cliché by introducing moral ambiguity and war criminality.
Engages with complex themes of systemic corruption and institutional power dynamics.

Limited or Absent

Lacks representation of LGBTQ+ identities or narratives that critique the assumption that everyone is straight or cisgender.
Female characters lack ability to act, appearing primarily as passive subjects of tragedy.
Disability is used as a plot device rather than a nuanced character study.
The narrative lacks a multicultural or diverse casting approach.

Official Synopsis

A man awakens from a two-month-long coma. Total amnesia. A bullet fired point blank. He doesn't remember anything. He's told that he had a wife and a son. They've been killed. He's revealed his past identity by the Colonel, who insists they are best friends. He's a Major of the Military Security Agency. An inspector from the State Security Agency appears affirming that he has information on people responsible for the massacre of his family. The Major is discharged from the hospital. He tries to patch together a normal life but is confronted with emptiness and despair. His only chance of discovering his identity and the assassin of his family is to accept the game that the Inspector has set up for him with the Businessman, the Mafioso and the Politician. He agrees... Discovers that he was a war criminal... Realizes who took a shot at him... Finds out who killed his family... Discovers the Fourth Man!

How are these scores produced? →