David Cronenberg: I Have to Make the Word Be Flesh
1999

Representation Score
Excellent
1987
Director
Laurens C. Postma
Runtime
68 minutes
Average Rating
No ratings yetNew Showbiz Analysis
This documentary offers a sophisticated examination of how David Cronenberg’s filmography questions the stability of the self. By using biological mutation as a metaphor for identity, the film engages with progressive ideas of fluidity and the disruption of established social hierarchies. While the film excels at exploring non-traditional bodily and cultural norms, it remains limited in its focus on racial diversity. The narrative emphasizes psychological and biological evolution over diverse ethnic landscapes. Overall, the film provides a deep dive into an auteur whose work challenges the rigidity of gender and the authority of traditional institutions through a lens of biological and psychological transformation.
Category Breakdown
The documentary examines Cronenberg's exploration of fluid identity and the breaking of social norms. His films often challenge traditional views on physical intimacy and bodily integrity.
Cronenberg’s work challenges traditional gender roles by showing the male body as vulnerable and subject to change. This portrayal disrupts typical masculine archetypes.
The films analyzed focus heavily on psychological and biological existentialism. There is a lack of explicit emphasis on racial or ethnic the way different parts of someone's identity overlap within the primary narrative focus.
The films depict the human body and technology as forces that make traditional religious and social structures seem outdated. They emphasize personal experience over traditional moral codes.
The subject matter often involves neurodivergence and bodily mutations. These changes are shown as drivers of character's ability to drive the story rather than as deficits or inspirational stories.
Present on Screen
Limited or Absent
Official Synopsis
Documentary about the career of director David Cronenberg, with clips from his films and interviews with friends, colleagues, film critics and Cronenberg himself.
1999

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