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This Is the Year

This Is the Year

2021

TV-14

Director

David Henrie

Runtime

97 minutes

Average Rating

No ratings yet

Synopsis

A nebbish high school senior and his best friends embarks on a road trip to attend the greatest music festival of the year in a last-ditch effort to win over the girl of his dreams.

Where to Watch

Diversity & Representation

Overall Score

4.1/10

Fair


Category Breakdown

LGBTQ+ Representation

Fair

The story centers on a heterosexual romantic pursuit. There is no evidence of non-cisnormative identities or critiques of heteronormativity within the narrative.

Gender Representation

Fair

The male protagonist drives the plot through a physical journey. The female character is framed as an object of desire rather than an active agent with an independent arc.

Racial & Ethnic Diversity

Fair

The film's ethnic composition is not explicitly detailed. There is no evidence of a non-Anglo-Saxon majority or intentional casting to disrupt historical norms.

Religious & Cultural Diversity

Limited

The narrative follows traditional Western coming-of-age tropes. It emphasizes individualistic desire and operates within the standard framework of contemporary social norms.

Disability Representation

Minimal

There is no information available regarding the inclusion of characters with visible or invisible disabilities.

Strengths

  • The film utilizes a recognizable and accessible coming-of-age framework.

Areas for Improvement

  • The narrative relies on heteronormative romantic structures.
  • Female characters are framed as objects of desire rather than active agents.
  • The story lacks evidence of intersectional complexity or diverse cultural perspectives.

AI Analysis

This film follows a traditional narrative architecture centered on the quest trope. The story focuses on individualistic pursuits and conventional adolescent milestones common in the coming-of-age genre. The representation leans heavily on established social hierarchies. The central romantic engine relies on heteronormative structures, and the gender dynamics reinforce conventional roles rather than subverting them. Ultimately, the work functions as a standard genre piece. It lacks the intersectional complexity or systemic disruption required to move beyond a neutral, traditional storytelling baseline.

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