
Christmas Together
2020

Representation Score
Limited
2019
TV-GDirector
Amy Barrett
Runtime
90 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Staging Christmas follows the predictable structure of the holiday romance genre. It prioritizes established social structures and seasonal traditions over the inclusion of diverse identities or the disruption of social hierarchies. The film provides a female lead with professional ability to act, yet the plot ultimately steers her toward traditional domestic roles. The narrative remains centered on a conventional, straight-focused family dynamic. Overall, the production lacks significant racial, cultural, or LGBTQ+ diversity, opting instead for a homogeneous and traditional storytelling approach.
Category Breakdown
The story centers on a romance between Lori and Elliot that assumes both are straight. It lacks characters with non-binary gender identities or narratives that challenge traditional romantic stories.
Lori is presented as a professional with a strong sense of ability to act in her career. However, her role eventually shifts toward emotional labor and integrating into a traditional family unit.
The narrative lacks evidence of a diverse cast or non-Anglo-Saxon characters. It appears to rely on the homogeneous casting common in holiday romance genres.
The film reinforces Western holiday traditions and the sanctity of the family unit. It focuses on domestic stability rather than deconstructing cultural institutions.
There are no visible or invisible disabilities depicted. No characters are identified by neurodivergent traits or physical conditions.
Present on Screen
Limited or Absent
Official Synopsis
Lori stages homes for a living and her busiest season is Christmas! Though she normally only stages homes that are for sale, she’s intrigued when a wealthy widower named Elliot asks her to stage his home for the holidays to cheer up his daughter, Maddie. As Lori spends more and more time with Elliot and Maddie, she starts to feel like part of the family.

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