
Mother. Daughter. Killer.
2017

Representation Score
Limited
2017
TV-14Director
Bruno Bontzolakis
Runtime
91 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Murder In The Auvergne Mountains functions as a traditional investigative procedural. It prioritizes interpersonal drama and familial conflict over broad sociological commentary or systemic critique. The film centers women's ability to drive the story by making a female police officer the primary driver of the plot. However, this does not necessarily challenge broader social hierarchies. Ultimately, the production adheres to standard European television conventions, reflecting a localized demographic reality without making intentional efforts toward diverse or progressive representation.
Category Breakdown
The film does not include any LGBTQ+ characters or narratives. The main storyline focuses on a mother and daughter, following a conventional framework that assumes everyone is straight or cisgender.
Female characters play key roles in driving the narrative. The daughter's position as a police officer highlights her professional authority, moving away from traditional patriarchal clichés.
The setting suggests a localized, likely homogeneous French town. There is no indication of diverse casting or intentional representation reflecting multiple aspects of identity.
The story follows a standard Western legal and moral arc. It emphasizes familial bonds and individual justice, avoiding cultural critique or broader societal issues.
There is no mention of characters facing physical, neurodivergent, or mental health challenges within the narrative.
Present on Screen
Limited or Absent
Official Synopsis
In a French thermal town, a man is found poisoned. His ex-girlfriend is arrested for the murder but her estranged cop daughter tries to prove her innocence which leads her much further than she could have ever imagined.

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