
The Hobbit: The Return of the King of Cantal
2015

Representation Score
Limited
2014
Director
Léo Pons
Runtime
36 minutes
Average Rating
No ratings yetNew Showbiz Analysis
The film functions as a genre-driven adventure that uses a fantasy framework to reimagine French geography. While it deviates from traditional high-fantasy settings by utilizing specific regional locations, it lacks complexity in representing diverse identities. The narrative adheres to a conventional quest structure. It does not significantly challenge traditional social hierarchies or provide depth to identity-specific character arcs. Overall, the work serves as a localized reimagining of familiar clichés without advancing progressive social representation.
Category Breakdown
The film does not include any characters or storylines related to LGBTQ+ identities or same-sex relationships. There are no discussions or arcs focused on these identities.
The story revolves around a male-dominated expeditionary team. The central conflict relies on traditional masculine roles of conquest and reclamation, rather than providing opportunities for female characters to take charge.
By setting the fantasy elements in the Auvergne region, the film breaks from typical Anglo-Saxon fantasy settings. However, the specific ethnic makeup of the factions is not clearly defined.
The plot delves into themes of contested sovereignty and systemic displacement. The protagonists aim to challenge the established power held by the men of Puy-de-Dôme.
The film does not feature any neurodivergent characters or individuals with physical disabilities. The narrative focuses solely on external adventure and territorial conflicts.
Present on Screen
Limited or Absent
Official Synopsis
Thorin, the former king of Cantal, accompanied by dwarves, Gandalf the Wizard and Bilbon the Hobbit, seeks to reconquer his former kingdom in the lands of Auvergne from the possession of the men of Puy-de-Dôme. However, the party must face up to numerous dangers.

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