
Things Heard & Seen
2021

2013
Not RatedDirector
Marina de Van
Runtime
90 minutes
Average Rating
No ratings yetSynopsis
Niamh is the lone survivor of a mysterious massacre in which the furniture and objects in her family’s isolated house took on a monstrous life of their own. The police ignore her wild stories, and the neighbours and social worker who take her into their care try to introduce her to a new life. But Niamh is unable to leave her violent past behind her, endangering everyone who crosses her path.
Overall Score
Fair
Category Breakdown
LGBTQ+ Representation
The film maintains an intensely insular focus on the protagonist's solitary trauma. There is a notable absence of LGBTQ+ characters or narratives that engage with queer identities.
Gender Representation
The narrative centers on a female protagonist's agency, portraying her as a source of destabilizing power rather than a submissive figure. However, the lack of diverse gendered interactions limits the scope.
Racial & Ethnic Diversity
The film operates within a relatively homogeneous social framework. It does not utilize diverse ethnic ensembles or address intersectional racial dynamics within its domestic focus.
Religious & Cultural Diversity
The story challenges the sanctity of the Western family unit by turning the domestic sphere into a site of violence. It also critiques the efficacy of traditional authority figures.
Disability Representation
The film offers a harrowing depiction of psychological instability. It avoids pitying the protagonist, instead presenting her mental state as a transformative and dangerous driver of the plot.
Strengths
Areas for Improvement
AI Analysis
Dark Touch is a character-centric psychological study that prioritizes the deconstruction of the self over broad demographic representation. It succeeds in subverting traditional gender roles by granting the female lead a destructive, central agency. However, the film lacks intersectional breadth. The narrative's preoccupation with individual psychological disintegration leaves little room for exploring queer identities or diverse ethnic backgrounds. Ultimately, the film's strength lies in its postmodern fragmentation of reality rather than its commitment to social diversity.

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