
We Are the Night
2010

Representation Score
Limited
2013
Director
Maxim Stollenwerk
Runtime
22 minutes
Average Rating
No ratings yetNew Showbiz Analysis
Lilith serves as a blend of genres, exploring social alienation through her experiences as a female vampire in a rejecting city. The film uses the 'outsider' cliché to potentially critique systemic exclusion and social resistance. While the narrative structure allows for subverting traditional hierarchies, the film remains tied to established genre clichés. Themes of exclusion are present, but they lack the explicit detail necessary to confirm a specific progressive agenda. Ultimately, the work occupies a middle ground, offering a platform for meaningful representation through its protagonist's struggles but falling short of providing clear evidence of diverse identities or storytelling that reflects multiple aspects of identity.
Category Breakdown
The film is classified as a romance, which hints at the possibility of non-traditional relationships. However, there is no clear indication of queer identities or non-cisgender representations.
The story focuses on a female character named Lilith who faces a hostile environment. This setting allows for exploring her ability to drive the story despite the challenges she encounters.
The available documentation provides no specific details regarding the racial or ethnic composition of the cast or the setting.
The plot involves an outsider figure facing a resistant society, suggesting themes of systemic exclusion. This outsider cliché can serve as a metaphor for challenging societal norms.
There is no evidence to suggest the inclusion of characters with physical or neurodivergent disabilities.
Present on Screen
Limited or Absent
Official Synopsis
A vampire wants to live in a city that doesn't want her.

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