The film centers on a heteronormative, male-centric friendship. There is a notable absence of non-cisnormative gender identities or same-sex romantic subtext.

The plot is driven almost exclusively by the agency of two male protagonists. Female characters occupy secondary, peripheral roles within a traditional masculine framework.

The cast is predominantly homogeneous, lacking racial or ethnic breadth in primary character arcs. It does not utilize diverse ethnic perspectives to challenge the era's constraints.

The narrative offers a moderate critique of economic systems by centering on drifters during the Great Depression. It deconstructs the idealized American experience through moral relativism.

There is no significant presence of neurodivergent characters or individuals with disabilities. Characters are defined by socioeconomic status rather than physical or mental health narratives.